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JPRO Young Professional Award

JPRO Young Professional Award

Recognizing the Achievements of Outstanding Young Professionals in the Jewish Community

The JPRO Network Young Professional Award provides premier recognition of extraordinary young talent, nominated by their colleagues, who are dedicated to professional careers in the Jewish community. The award provides a 10-day educational seminar to Europe and Israel, with a focus on the network of social services, Jewish identity and peoplehood, exploring innovative programming and redefining relationships. The award was established through a generous endowment created by The Andrea and Charles Bronfman Philanthropies. 

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Previous Young Professional Award Winners

2015
Kim Kaplan and Mordy Walfish
2014

Ira J. Dounn and Sheila Katz
2013
Aliza Craimer Elias and Jakir Manela
2012
Mindy Eklove and Daniel Septimus
2011
Sarah Eisenman and Shauna Waltman
2010
Eva Stern and David Cygielman
2009
Zhanna Beyl and Ruthie Warshenbrot
2008
David Michaels, Naomi Leah Sage and Cara Unowsky
2007
Edward M. Bruckner and Shoshannah D. Frydman
2006
Alisha Goodman, Ilana Aisen and Alyssa Abrahamson
2005
Amy Wagner Biloon, Lisa Colton and Leonard Petlakh
2004
Melanie Kohler Levav and David Rosenberg

The Kraft Award:

The JPRO Network Young Professional Award was preceded by the Kraft Award, named in honor of Louis Kraft, for his exemplary work in Jewish communal service. The award began in 1972 and continued until 1995.

Louis Kraft, born in 1891 in Moscow, Russia, became a model for his work in the Jewish communal profession. After serving as Executive Director of the Bronx YM & YMHA, Kraft became involved in the Jewish Welfare Board (JWB) where he rose to become the Executive Director of the organization. In 1947, Kraft helped establish the World Federation of YMHAs and Jewish Community Centers and has often been referred to as “the architect of the Jewish community center movement.” Click here to view past Kraft Award recipients.

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JPRO Network

2 weeks ago

JPRO Network

To be of use

The people I love the best
jump into work head first
without dallying in the shallows
and swim off with sure strokes almost out of sight.
They seem to become natives of that element,
the black sleek heads of seals
bouncing like half-submerged balls.

I love people who harness themselves, an ox to a heavy cart,
who pull like water buffalo, with massive patience,
who strain in the mud and the muck to move things forward,
who do what has to be done, again and again.

I want to be with people who submerge
in the task, who go into the fields to harvest
and work in a row and pass the bags along,
who are not parlor generals and field deserters
but move in a common rhythm
when the food must come in or the fire be put out.

The work of the world is common as mud.
Botched, it smears the hands, crumbles to dust.
But the thing worth doing well done
has a shape that satisfies, clean and evident.
Greek amphoras for wine or oil,
Hopi vases that held corn, are put in museums
but you know they were made to be used.
The pitcher cries for water to carry
and a person for work that is real.

Marge Piercy, Circles on the Water, 1982.
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